MOCA & Miami, a collection-based exhibition organized by Bonnie Clearwater, surveyed Miami artists featured in MOCA exhibitions since 1996 and traced the parallel growth of the museum and the city’s artistic community.

For Everyone and No One, an exhibition organized by MOCA, presented mail art.

Trading Places, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from July 29 to September 4, 2005.

Selections from the Permanent Collection, a collection-based exhibition at MOCA’s Goldman Warehouse organized by Bonnie Clearwater, was on view at MOCA’s Goldman Warehouse from July 19 to August 28, 2005.

Anne Chu, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from April 14 to July 3, 2005.

Ellen Gallagher: Murmur and Deluxe, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from February 12 to March 27, 2005.

Louise Bourgeois: Stitches in Time, a hosted presentation organized by Frances Morris, was on view at MOCA North Miami from February 12 to March 27, 2005.

Cut/Film as Found Object, a hosted presentation organized by Stefano Basilico, was on view at MOCA North Miami from November 12, 2004, to January 30, 2005.

Pablo Cano: The Toy Box, a marionette production organized by MOCA, revived Cano’s musical marionette production based on Claude Debussy’s 1913 children’s ballet La Boîte à joujoux, with marionettes and scenery constructed from found objects.

In Situ: Installations and Large-Scale Works in the Permanent Collection, a collection-based exhibition organized by Bonnie Clearwater, showcased large-scale installations and seminal works from MOCA’s growing permanent collection, established in 1995 to reflect major developments in contemporary art.

Jean-Michel Othoniel: Crystal Palace, a hosted presentation organized by Hervé Chandès, was on view at MOCA North Miami from May 28 to August 31, 2004.

Laura Owens, a hosted presentation organized by Paul Schimmel, was on view at MOCA North Miami from March 5 to May 9, 2004.

Edwina Ashton: Videos, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from March 1 to May 9, 2004.

Inka Essenhigh: Recent Paintings, an exhibition organized by Bonnie Clearwater, focused on oil paintings of fantastic figures in mysterious spaces, highlighting Essenhigh’s shift from graphic enamel works toward layered oil painting.

Richard Artschwager: Painting Then and Now, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from December 3, 2003, to February 15, 2004.

Miami Works: A Selection from the Permanent Collection, a collection-based exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from December 2, 2003, to February 15, 2004.

william cordova: No More Lonely Nights, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from November 29, 2003, to February 8, 2004.

American Short Stories: Saul Steinberg / Raymond Pettibon, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from September 19 to November 16, 2003.

Mario Benjamin: Project, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from September 14 to November 9, 2003.

Roberto Juarez: A Sense of Place, an exhibition organized by Bonnie Clearwater, brought together more than 35 large-scale paintings examining how Juarez’s experiences in New York, Miami Beach, Rome, and other cities shaped his interplay of place, memory, and interior life.

IMAGINE: Highlights from the Permanent Collection, a collection-based exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from June 28 to August 31, 2003.

Pablo Cano: For Heaven's Sake, a marionette production organized by MOCA, was on view at MOCA North Miami from April 12 to June 1, 2003.

Tall Tales, an exhibition organized by Bonnie Clearwater, paired work by Trenton Doyle Hancock and william cordova.

Trenton Doyle Hancock: It Came from Studio Floor, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from February 28 to May 1, 2003.

Helen Frankenthaler: Paintings on paper, a traveling exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from February 14 to June 8, 2003.

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Julian LaVerdiere: Time Trial, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from December 4, 2002, to February 2, 2003.

Yes Yoko Ono, a hosted presentation organized by Alexandra Munroe, was on view at MOCA North Miami from October 25, 2002, to January 26, 2003.

Bhakti Baxter: An Intelligible Sphere whose Center is Everywhere and Circumference is Nowhere, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from September 27 to November 17, 2002.

Primal Screams and Songs: Selections from the Permanent Collection, a collection-based exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from July 20 to September 29, 2002.

Pablo Cano: The First Reunion, a marionette production organized by MOCA, was on view at MOCA North Miami from April 6 to June 7, 2002.

Hernan Bas: It's Super Natural, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from March 15 to June 30, 2002.

Jack Pierson, Regrets, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from March 15 to June 30, 2002.

Salvador Dalí: Dream of Venus, a hosted presentation organized by MOCA, was on view at MOCA North Miami from March 14 to June 30, 2002.

Roy Lichtenstein: Inside/Outside, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from December 12, 2001, to February 28, 2002.

Roxy Paine: PMU (Painting Manufacture Unit), an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from November 11, 2001, to January 27, 2002.

Little Haiti Housing Association Scattered Housing Project, an exhibition organized by Nathaniel Quincy Belcher, documented a collaboration between FIU’s architecture program and the Little Haiti Housing Association on the development of scattered-site housing.

Snapshot: New Art from Los Angeles, a hosted presentation organized by Douglas Fogel, was on view at MOCA North Miami from October 7 to November 25, 2001.

The House at MOCA, an exhibition organized by Bonnie Clearwater, Bhakti Baxter, Martin Oppel, and Tao Rey, brought together work selected by its four co-curators for a project centered on the idea of the house.

Selections from the Permanent Collection, a collection-based exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from June 1 to July 29, 2001.

Pablo Cano: To Sin or Not to Sin, a marionette production organized by MOCA, was on view at MOCA North Miami from March 3 to April 29, 2001.

Mythic Proportions. Painting in the 80s, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from February 16 to May 13, 2001.

Making Art in Miami: Travel in Hyperreality, an exhibition organized by Bonnie Clearwater, surveyed contemporary art made in Miami through work by Hernan Bas, Robert Chambers, william cordova, Dara Friedman, Luis Gispert, Adler Guerrier, Mark Handforth, and other artists.

Design Matters, an exhibition organized by René Gonzalez, was on view at MOCA North Miami from September 16 to November 26, 2000.

Minimal Affect: Selections from the Permanent Collection, a collection-based exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from September 16 to November 26, 2000.

Peter Doig: Matrix 183/Echo-Lake, a hosted presentation organized by Heidi Zuckerman Jacobson, was on view at MOCA North Miami from September 16 to November 26, 2000.

Selections from the Permanent Collection: The 1990's, a collection-based exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from June 8 to September 3, 2000.

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Seydou Keïta, a hosted presentation organized by Hervé Chandès and André Magnin, presented the portrait photography of Seydou Keïta in a project organized by Fondation Cartier pour l’art contemporain.

Inverted Odysseys: Claude Cahun, Maya Deren, Cindy Sherman, a hosted presentation organized by Lynn Gumpert and Shelley Rice, was on view at MOCA North Miami from March 31 to May 28, 2000.

Matthew Ritchie: The Fast Set, an exhibition organized by Bonnie Clearwater, used a color-coded cosmology, recurring characters, and narrative installations to connect fiction, hyperreality, and contemporary physical experience.

Sweet Dreams and Nightmares: DADA and Surrealism from the Rosalind and Melvin Jacobs Collection, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from March 31 to May 28, 2000.

Frank Stella at 2000: Changing the Rules, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from December 19, 1999, to March 12, 2000.

Pablo Cano: Once upon an Island, a marionette production organized by MOCA, was on view at MOCA North Miami from November 5 to December 5, 1999.

Great Illusions: Thomas Demand, Andreas Gursky, Ed Ruscha, a hosted presentation organized by Stefan Gronert, was on view at MOCA North Miami from October 10 to November 28, 1999.

Atelier Van Lieshout, a hosted presentation organized by Jade Dellinger and Margaret Miller, was on view at MOCA North Miami from September 25 to December 5, 1999.

Heads Up! Highlights from the Permanent Collection, a collection-based exhibition organized by Bonnie Clearwater, highlighted works from MOCA’s permanent collection by Francis Alÿs, John Baldessari, Tracey Emin, Ana Mendieta, Gabriel Orozco, Félix González-Torres, and other artists.

James Turrell, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from April 1 to September 12, 1999.

Gianni Versace: The Reinvention of Material, a hosted presentation organized by Chiara Buss, was on view at MOCA North Miami from March 19 to June 13, 1999.

Rodney Graham: Vexation Island, an exhibition organized by MOCA, was on view at MOCA North Miami from January 17 to February 14, 1999.

David Smith: Stop/Action, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from December 19, 1998, to February 24, 1999.

Pablo Cano: Cavaletti's Dream, a marionette production organized by MOCA, featured drawings and marionettes inspired by Christopher King’s Cavaletti’s Dream, following an eighteenth-century soldier’s mythological quest for immortality.

Anna Gaskell, a traveling exhibition organized by Bonnie Clearwater, focused on Gaskell’s override photograph series and the film floater, tracing themes and methods first introduced in her acclaimed wonder series.

Spectacular Optical, a hosted presentation, brought together works by Lutz Bacher, Lygia Clark, Gregory Crewdson, David Cronenberg, Mariko Mori, Tony Oursler, Jana Sterbak, and other artists.

Joan Lehman: Sculpture, an exhibition, was on view at MOCA North Miami from September 9 to October 8, 1998.

Kenny Scharf: Closet #16, an exhibition, was on view at MOCA North Miami from May 21 to August 16, 1998.

Jorge Pantoja: One Hundred Haiku, an exhibition organized by Bonnie Clearwater, was sponsored by the Miami Salon Group in memory of Norman S. Gorson.

New Art: South Florida, an exhibition organized by Bonnie Clearwater, featured work by eight South Florida artists: Robert Chambers, Dara Friedman, Mark Handforth, Lynne Kroll, Daniel Larenzetti, M. Lynne Rheam, Lolita Stewart-White, and D.S. Wallace.

Keith Haring Retrospective, a hosted presentation, was on view at MOCA North Miami from February 13 to April 19, 1998.

Tunga: 1977-1997, a hosted presentation organized by Carlos Basualdo, was on view at MOCA North Miami from December 11, 1997, to February 1, 1998.

Annette Messager: Dependance/Independence, a hosted presentation, was on view at MOCA North Miami from September 20 to November 30, 1997.

David Rohn, an exhibition organized by Bonnie Clearwater, examined the artist’s philosophical connection between people, animals, and nature and his pursuit of sanctity, dignity, and beauty in living things.

Pablo Cano: The Pursuit of Love and Animated Altarpieces, a marionette production organized by MOCA, was on view at MOCA North Miami from June 28 to July 27, 1997.

Tableaux, a traveling exhibition organized by Bonnie Clearwater, explored the return of pictorialism and narrative in contemporary art through staged, self-contained works informed by painting, photography, film, and theater.

Zoe Leonard, an exhibition organized by Bonnie Clearwater, presented an installation of hand-sewn fruit skins that connected preservation and private ritual with mourning, nature, and mortality.

Painting into Photography. Photography into Painting, an exhibition organized by Bonnie Clearwater, explored the renewed exchange between painting and photography as artists used both media to revisit pictorialism, representation, and social critique.

Mexican Modernism from the Jacques and Natasha Gelman Collection, an exhibition, introduced U.S. audiences to the Jacques and Natasha Gelman Collection, tracing twentieth-century Mexican modernism through masterworks by the country’s leading artists.

Jean-Michel Basquiat: The Blue Ribbon Paintings, a hosted presentation, was on view at MOCA North Miami from October 4 to December 1, 1996.

Mark Handforth: Not from where I'm Standing, an exhibition organized by Bonnie Clearwater, was on view at MOCA North Miami from May 31 to September 22, 1996.

Robert Rauschenberg: Sculpture, a hosted presentation organized by Julia Brown Turrell, was on view at MOCA North Miami from April 26 to June 9, 1996.

Pierced Hearts and True Love: A Century of Drawing for Tattoos, a hosted presentation, was on view at MOCA North Miami from April 16 to May 26, 1996.

Defining the Nineties. Consensus-making in New York, Miami, and Los Angeles, an exhibition organized by Bonnie Clearwater, examined how New York, Miami, and Los Angeles—and their collectors, artists, and art professionals—shaped consensus around contemporary art of the 1990s.

Reel Work: Artists Film and Video of the 1970's, an exhibition organized by Dara Meyers-Kingsley, brought together experimental film and video from the 1970s by leading visual and performance artists, including Andy Warhol, Yoko Ono, Bruce Nauman, and Martha Rosler.